Saturday, September 12, 2015
YALSA top ten GNs 2015: Bad Machinery vol. 3: The Case of the Simple Soul
Bad Machinery Vol. 3: The Case of the Simple Soul
Written and illustrated by John Allison.
Published by Oni Press (2014)
Bad Machinery is, as the subtitle may hint at, a sort of mystery comic featuring children in the fictional English town of Tackleford. The kids who primarily feature are two groups of three: one made up of girls, and one made up of boys. They're all around 11 or 12 (I think) so there's a fair amount of fighting/arguing/will you be my boy/girlfriending going on as well as whatever's going on in the background (which, in this case, is a series of fires and a weird troll thing that lives under a bridge).
And that "weird troll thing" is the kind of thing that makes Allison's comics great (though not in this particular instance*). This is not your average small English town. There is a robot who goes to the school, there are magic spells and curses at the soccer/football pitch, weird goblin creatures in the woods, a time hole in a school cupboard, and lots more weird and wonderful stuff happening in Tackleford all the time (kind of as though it were a nicer version of Sunnydale).
The human characters themselves are more normal, but that doesn't mean they act (or, as this review mentions, speak) naturally. But that's generally part of the charm. Another large part of the appeal for me is Allison's art, which I really love. Characters have distinctive styles and fashions (with individual items of clothing changing), his expressions and body language are great, the story flows (which is impressive considering this was original published one page a day), and the flat colouring works remarkably well with the cartoonish art style.
Allison has been making webcomics since the late 1990s (e.g. forever in internet terms), and while he's had several titles, they're all interconnected and characters from one may show up in another. I started reading his stuff in the early 2000s when he was working on his second title, Scary-Go-Round. I liked it enough to read all of the archives and buy several books from him.
However, at some point after Bad Machinery started I apparently stopped reading. This seems kind of strange, as I'm still excited by him as a creator. I've read all three volumes of the Bad Machinery collected editions (admittedly mostly from the library), and I was buying his print Scary Go Round spin-off series Giant Days until it got extended to 12 issues and I couldn't find issue 4 (I still intend to get the collections), but I stopped reading his free comic on the internet.
So what turned me off a comic by a creator I still at least think I like? Well, part of it is possibly the format of the collection. Its size (more than 30 cm/12 inches wide) shows off the artwork in a lovely fashion, but is kind of too big to fit on my shelf and is even somewhat unwieldy to read. But that doesn't say why I stopped reading the webcomic, and I think the reason behind that is that I found the children that this story focused on considerably less interesting than the adults in the other comics. If the recent Giant Days series had been about these (children) characters I probably wouldn't have been interested, but since it was about the characters in university I was. I would say that I'm not that interested in stories about children, but while that may be true in a broad sense I'm still happy to read certain ones I consider good (Yotsuba&!). I guess I'm just not that interested in reading stories about these children. Though looking through the artwork in this volume again, I'm kind of tempted to catchup on the webcomic, so maybe that will change.
Since this was a webcomic you can read it all online for free. Here's where The Case of the Simple Soul begins.
* Allison frequently includes completely fictional creatures (such as Desmond Fishman) in his comics. However the "troll" in this one kind of bothered me. His appearance seems far too much like a human, and combined with the way he speaks and acts I think it could be taken as making fun of people with developmental disabilities. I don't think this was Allison's intention, and I hope I'm the only person that even considered this, but the problem could have been avoided by making the troll red or something.