YALSA top ten GNs 2009: Cairo

Cairo
Written by G. Willow Wilson. Illuastrated by M. K. Perker.
Published by DC/Vertigo (2008)

It's kind of interesting to go back and read someone's first published work after they become super famous (well... relatively super famous). Wilson is now (by far) best known for her work on Ms. Marvel (which was on this year's YALSA top ten GN list), but back in 2007 she was writing for Vertigo.

I owned the first volume Air (the series Wilson did at Vertigo after Cairo), and while I even talked to Wilson at a con I don't believe I ever actually read it. I had actually read this book before, which seems kind of strange to be honest. Air lasted 24 issues, which by the records of Vertigo series from the last decade or so is actually pretty good.

As for Cairo, well, it reminds me of an action movie. Not a "shoot them until everyone is dead" movie, but a "lots of disparate characters running around doing different things while other people shoot at them" movie. There are six main characters in the book, who get thrown into random pairs as they circle events about a hookah that has a djinn/jinn/genie inside it. A male drug smuggler who's trying to get the hookah back ends up with a female Israeli soldier who just wants to go back to Israel without getting killed. A young, white American girl on holiday and an Egyptian journalist get kidnapped as hostages and have to escape. And there's the young, male Lebanese-American who was going to be a suicide bomber until his flight got cancelled and he ended up trying to help a jinn.

They run around Egypt trying to find each other, escaping bad guys (wait, an Israeli soldier, a potential suicide bomber, and a drug smuggler count as good guys?), encountering magic stuff and entities, and fighting goons and/or monsters. The difference between this and other stories is that it was made by Muslim creators, and thus their knowledge of and experience with other countries/cultures can create a different world (though considering that Wilson converted to Islam like five years before this book came out you might want to question the accuracy of everything).

As for the art by M. K. Perker (who also drew Wilson's series Air), it didn't really grab me. The layout is fine, the panel to panel story telling works, and there are even a couple of pretty fun fourth-wall breaking bits. However, I think that at the time this comic came out Perker was a lot more used to editorial cartooning (at least that's what I can surmise from his Wikipedia page), and I suspect drawing a full 150 page graphic novel was quite a different experience for him.

Looking through Cairo again I think my major problem is with the faces of the characters. They look kind of awkward? Maybe that's not the right word, but it seems as though their features, while expressive, don't always fit on their faces right, as though they were the wrong size. Now, just to clarify, this isn't always the case, and their are times when the characters are supposed to look kind of weird, however it does happen just enough for it to be noticeable by me. Looking at his work since then, Perker doesn't seem to have this problem anymore (his stuff for The Unwritten looks really nice), so I think it was just inexperience.

Looking at the YALSA lists you have to remember one thing: these are not the "best" books of the year, these are "great graphic novels for teens". I think that means that there's a greater emphasis on teenage characters, but also on non-white characters, LGBTQ characters, and other people who are generally underrepresented in our media as a whole. Librarians are far more likely to think about those sorts of things than the Eisner judges (who, while they generally pick very good books, have also only ever chosen comics about white people or animals to win their "Best Publication for Teens" award). For librarians it's important to help people find books that appeal to them and feature characters like them, but also provide books that represent different viewpoints than library users have experienced before. On that level, I think Cairo probably succeeds, at least in an "action movie" kind of way.

YALSA top ten GNs 2009: Skim

Skim
Written by Mariko Tamaki. Illustrated by Jillian Tamaki.
Published by Groundwood Books (2008)

When I originally read Skim months ago I really didn't think it was very good. It definitely got better near the end, but overall I didn't really get why people liked it so much (or rather, even if I did, it didn't appeal to me personally). Reading it a second time, and feeling much more depressed overall (school...), I definitely found it more appealing, though I felt it did have a lot of the same problems I found my first time through.

But first, Skim is a book about some kind-of-outcast kids in an all-girls high school in Ontario in the early '90s. They read about Wicca, are kind of goth, and when a boy who was dating someone in the school kills themselves everyone gets worried about them (because of course the kind of depressed goths are going to kill themselves). We follow Skim, the main character, as she interacts with her teachers, family, and classmates, and grows further away from some people and towards others.

My biggest problem is the creepy relationship that happens between a student and a teacher. Yeah, it's fiction, yeah not everything has to be spelled out, but I still think this is a super creepy thing and other than one of the characters moping a bunch it's not really dealt with. People write about stuff that doesn't happen I know, and being overly preachy can be pretty terrible, but still, it made me kind of uncomfortable.

Anyway, once that's out of the way the story becomes a lot more appealing to me. A popular girl who fell off her roof and broke both her arms (while attempting suicide?) is constantly surrounded by other girls who try to make a thing out of it by having clubs and dances and stuff that are supposed to be about how great life is. The girl seems to become more and more distressed and Skim manages to create some sort of connection between them. This was the best part of the book, as the other character, who'd been dismissed previously, is shown to have a personality. I kind of wish that the entire book had been about them coming to terms with themselves and who their friends actually are, as despite these scenes we didn't really get a full picture of them. Oh well.

So yeah, a lot of people loved this, I thought it was okay. But really, it's about emotions and family and teenagers and there's not a single robot and nobody travels through time, so  I'm not even surprised it didn't do that much for me. (Also the art, which many people enjoyed a lot, evidently wasn't my thing as I don't really remember it, but that doesn't mean it was bad!)

YALSA top ten GNs 2009: Atomic Robo and the Fightin' Scientists of Tesladyne

Atomic Robo (Volume 1): Atomic Robo and the Fightin' Scientists of Tesladyne
Written by Brian Clevinger. Illustrated by Scott Wegener.
Published by Red 5 Comics (2009)

Oh Atomic Robo! How do I love thee? Let me count the ways:
1. You are a robot
2. Your arch-nemesis is a time travelling velociraptor called Dr. Dinosaur
3. Your comic is awesome

But really if you're not interested in reading a comic about a robot who punches giant monsters in the face you should probably just give up on this review and find another comic. Atomic Robo is a great example of that genre (monster punching) and, while I love it, I know it's not for everyone.

The most basic description of Atomic Robo is "It's like Hellboy, but...", and it even mentions that in at least one of the introductions to this series (I read, or re-read, the first seven volumes recently and they call kind of blur together a little). So yes, the series is reminiscent of Hellboy in that a non-human guy travels the world and fights lots of monsters and Nazis (for decades, so the stories can happen pretty much whenever). But saying that is kind of a disservice to Atomic Robo, as it goes places that Hellboy doesn't.

Firstly, Atomic Robo is a scientist! He does science! (Frequently this leads to things exploding.) Second, there is time travel! Third, it uses its humour in a more obvious way.

This third one is probably the most obvious difference. Hellboy certainly has its funny parts, but Atomic Robo is much willing to do utterly bizarre things because it's humourous. This isn't to say that the stories can't have serious parts, but I think you're more likely to see Robo sneaking out from Nikolai Tesla's lab so he can go on a date or judging a science fair.

The art by Scott Wegener is not something that I would immediately think was great, and if you just showed me specific panels I might think it was a little bizarre looking.  But his designs work well for the characters, and his style works overall for the types of stories that are told.

Of course while I think Atomic Robo is great, you don't have to take my word for it. There are a bunch of free Atomic Robo comics on the website. I think the best is "Why Atomic Robo Hates Dr. Dinosaur", but they're all pretty good.

YALSA 2009 Top Ten Great Graphic Novels for Teens

Every year since 2007 Young Adult Library Services Association (YALSA) section of the American Library Association (ALA) has created both a long list and a top ten list of "great graphic novels for teens". You can see all the lists here. Previously they had included some graphic novels on their "best books for young adults" lists.

I was recently invited to give a guest lecture on the history of comics and graphic novels for children and young adults, and upon looking at these lists realized that I had read less than half of the book on the top ten lists (and hadn't even heard of others!). As a so called "expert" on graphic novels in libraries I didn't really think that this was appropriate, and decided to read as many of the volumes that I hadn't read as possible.

I'll be reviewing them as I read (or reread) them, and this page will eventually contain links to all the books from 2009. Here's the full list of nominations from 2009, and the top ten list. They occasionally have weird formatting or credits.

Life Sucks by Jessica Abel, Gabriel Soria, and Warren Pleece.

Sand Chronicles (Volumes 1-3) by Hinako Ashihara.

Atomic Robo: Atomic Robo and the Fightin' Scientists of Tesladyne by Brian Clevinger and Scott Wegener.

Real (Volumes 1-2) by Takehiko Inoue.

Uzumaki (Volume 1) by Junji Ito. 

Pitch Black by Youme Landowne and Anthony Horton.

Japan Ai: A Tall Girl’s Adventures in Japan by Aimee Major Steinberger.

Skim by Mariko Tamaki and Jilliam Tamaki

Umbrella Academy: Apocalypse Suite by Gerard Way and Gabriel Ba.

Cairo by G. Willow Wilson and M. K. Perker.